Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too.

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• Paul Greengrass:

  I always tell young film-makers, 'Find the song that only you can sing.' It doesn't just come to yo

• Paul Greengrass:

  Action is only really compelling when it reveals character - character revealed through action, and

• Paul Greengrass:

  Acting is many things, and one is an exercise of will. In any given scene, you're trying to find wh

• Paul Greengrass:

  It's no good in a scene to have one actor lie down because the scene says it's the other actor's mo

• Paul Greengrass:

  The most important thing as a filmmaker, the hardest journey you'll have, is to find your point of

• Paul Greengrass:

  My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like fil

• Paul Greengrass:

  All directors make films in individual ways. But the classical kind of view of filmmaking is that y

• Paul Greengrass:

  Very few people do bad things because they're bad. They generally do bad things because they think

• Paul Greengrass:

  What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there.

• Paul Greengrass:

  One of the things that makes the Bourne movies so exciting, I think, is you do get to go on a journ