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Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
Suits are malevolent magicians' sleeves for socialists, full of patrician loops and tricks, small,
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A. A. Gill:
The suit is the polite taming, the socialising, the neutering, of riding and military kit. Those poA. A. Gill:
We have to thank the members of the Romantic movement for the sober colours of suits. It was theirA. A. Gill:
Every man imagines that he will turn his suit like a double agent, that it can be twisted to his wiA. A. Gill:
A lot of London's image never was. There never was a Dickensian London, or a Shakespearean London,A. A. Gill:
One of the small joys that's easy to miss in London is the blue plaques on buildings. These are putA. A. Gill:
London is a city of ghosts; you feel them here. Not just of people, but eras. The ghost of empire,A. A. Gill:
If New York is a wise guy, Paris a coquette, Rome a gigolo and Berlin a wicked uncle, then London iA. A. Gill:
When Americans come to London they usually say how much they love the history, the tradition, the sA. A. Gill:
Gordon Brown is a character from a tragic opera, twisted by ambition and a Presbyterian sense of faA. A. Gill:
When you look at traditions closely, examine what they really are, you realize they're made up of l