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The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
The composition of a single melody is born out of a bit of text, perhaps the first line, but it can
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Dietrich Fischer-Dieskau:
Many, many composers have only found their way to a certain form, through familiarizing themselvesDietrich Fischer-Dieskau:
Brahms believed that there was no need to publish absolutely everything that Schubert ever wrote.Dietrich Fischer-Dieskau:
Toward the end of his life, one can sense that he was no longer thinking his way into the minds ofDietrich Fischer-Dieskau:
Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a siDietrich Fischer-Dieskau:
If you only do little clusters - three or four songs by one, and another, and then yet another - yoDietrich Fischer-Dieskau:
In Romanticism, the main determinant is the mood, the atmosphere. And in that regard, you could alsDietrich Fischer-Dieskau:
Within each individual young person you meet, you have the same fields to plow. The trick is just tDietrich Fischer-Dieskau:
It's not all that different with the orchestra. There are orchestras that seem to be encased in douDietrich Fischer-Dieskau:
With creative people, truly new horizons open up.Dietrich Fischer-Dieskau:
What concerns me, is the general social tendency to enforce a level, above which nothing rises and