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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in t
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Orhan Pamuk:
When people read a novel 600 pages long, six months pass, and all they will remember are five pagesOrhan Pamuk:
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical thOrhan Pamuk:
I write a world where everyone is partly right.Orhan Pamuk:
I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. WhOrhan Pamuk:
When I paint, I definitely live in the present, like someone in a shower whistling or singing.Orhan Pamuk:
Authoritarianism, an unrealistic occidental imagination - these issues will never be settled. TurkeOrhan Pamuk:
Idealism, unrealistic idealism, is always contrasted with the reality of the people, of the man inOrhan Pamuk:
Novels are political because in them, we try to identify with people who are not like us. And, in tOrhan Pamuk:
I always enjoy impersonating my characters in the first-person singular.Orhan Pamuk:
I strongly believe that the art of the novel works best when the writer identifies with whoever he