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'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
'The Next Wave' started as a drawing for a new silkscreen fine art print. I ended up doing the prin
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John Van Hamersveld:
In 2008, 'Surfer's Journal' published 'The Next Wave' image with an article.John Van Hamersveld:
The drawing of a 'Pipeline Wave' started with Billabong as a commission for their 2009 Pipeline MasJohn Van Hamersveld:
For the surf idol Duke Kahanamoku portrait, which I created for the Surfrider Foundation, I took aJohn Van Hamersveld:
With the Larry Bertlemann portrait, I started with a photograph that I could use for it. I built thJohn Van Hamersveld:
I look at graphic design as communication, meaning that the work has to have a vibe to connect to tJohn Van Hamersveld:
In teaching color, you teach people how to look something and see the tone in it and break it downJohn Van Hamersveld:
Because I went to Chouinard, which then became CalArts, I became a multi-discipline artist - it wasJohn Van Hamersveld:
I'm working on my own work, my own publishing company.John Van Hamersveld:
In this century of hyper-postmodern ideals, with the digital future, we're segmented into differentJohn Van Hamersveld:
What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal? The