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The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
The poets whom I knew then were all men and all seemed dauntingly sure of themselves - although I a
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Helen Dunmore:
The language has got to be fully alive - I can't bear dull, flaccid writing myself and I don't seeHelen Dunmore:
Poets go through a very tough apprenticeship in the use of words.Helen Dunmore:
My first collection of poems was published by Bloodaxe Books, which was then a very new imprint.Helen Dunmore:
Mourning Ruby is not a flat landscape: it is more like a box with pictures painted on every face. AHelen Dunmore:
It is a violation which has obsessed the tyrants of the twentieth century. They do not want simplyHelen Dunmore:
If we understand the past, we are more likely to recognise what is happening around us.Helen Dunmore:
I would like people to come into my Dreamworld and then choose to stay.Helen Dunmore:
I was always influenced by language.Helen Dunmore:
I hope that readers will tear through my books because they can't stop themselves - and then, maybeHelen Dunmore:
I have learned so much from working with other poets, travelling and reading with them, spending da