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The problem of direct colour photography has been facing us since the turn of the last century.
The problem of direct colour photography has been facing us since the turn of the last century.
The problem of direct colour photography has been facing us since the turn of the last century.
The problem of direct colour photography has been facing us since the turn of the last century.
The problem of direct colour photography has been facing us since the turn of the last century.
The problem of direct colour photography has been facing us since the turn of the last century.
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Gabriel Lippmann:
The plate at each point only sends back to the eye the simple colour imprinted. The other colours aGabriel Lippmann:
The length of exposure (one minute in sunlight) is still too long for the portrait. It was fifteenGabriel Lippmann:
Most of these pictures, taken while travelling, were developed on the mantelpiece of a hotel room,Gabriel Lippmann:
Life is short and progress is slow.Gabriel Lippmann:
In the case of composite colour, an infinity of systems must be obtained for maxima infinitely sligGabriel Lippmann:
I got quite good results from protein plates.Gabriel Lippmann:
During exposure, interference takes place between the incident rays and those reflected by the mirrGabriel Jesus:
My mother gave me a ball, and from then on, there was only football in my life.Gabriel Jesus:
I began playing football on the streets.Gabriel Jesus:
Brazilians are very creative, not only in football but in life as well.