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'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
'The Secret River' began because, at the age of 50, I suddenly realised I knew nothing about how my
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Kate Grenville:
I think with all my books, language has been their subject as much as anything else. Language can eKate Grenville:
I do feel as if... Look, I think I'm a very kind of ordinary person, and it seems to me that thingsKate Grenville:
A culture produces ideas which are being explored, which of interest to that culture at that momentKate Grenville:
I love to write a book out of questions; in fact, I think it's the only way my writing can operate,Kate Grenville:
Each language has its own take on the world. That's why a translation can never be absolutely exactKate Grenville:
When I went to university in Colorado, I was encouraged to write very innovative, experimental thinKate Grenville:
Nothing much interested me other than playing with language and telling stories and doing somethingKate Grenville:
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Australia lives with a strange contradiction - our national image of ourselves is one of the OutbacKate Grenville:
Words are a pretty blunt instrument. There's always going to be slippage between the words and the