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The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall
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Bernice Johnson Reagon:
The first job I had with the Smithsonian was as a field researcher among African American communitiBernice Johnson Reagon:
One of the biggest things I understood in a program like that was that it allowed more young AfricaBernice Johnson Reagon:
Personally I discovered that you could go through the academy as a young scholar, come out, and almBernice Johnson Reagon:
If I had been at a University I don't think I would have been able to have the experience I had inBernice Johnson Reagon:
I came out of the Civil Rights Movement, and I had a different kind of focus than most people who hBernice Johnson Reagon:
Most people come out of their Ph.D. experience trying to prove themselves, trying to get ahead, tryBernice Johnson Reagon:
I started graduate school in 1971, I started working at the Smithsonian in the festival in 1972. IBernice Johnson Reagon:
When I started graduate school I was interested in the culture of the Civil Rights Movement.Bernice Johnson Reagon:
I just don't think one person has that much to contribute to any subject.Bernice Johnson Reagon:
It makes sense that whatever the topic is, it's more compelling if you can provide the audience wit