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The stage is close to being in the middle of the hall, so that the performers are surrounded by the
The stage is close to being in the middle of the hall, so that the performers are surrounded by the
The stage is close to being in the middle of the hall, so that the performers are surrounded by the
The stage is close to being in the middle of the hall, so that the performers are surrounded by the
The stage is close to being in the middle of the hall, so that the performers are surrounded by the
The stage is close to being in the middle of the hall, so that the performers are surrounded by the
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Emanuel Ax:
The sheer force of the music calls for a wild audience reaction.Emanuel Ax:
Sometimes I wish that applause would come just a bit later, when it is so beautifully hushed that IEmanuel Ax:
Pianists don't argue too much generally because we have such a hard time just getting things right;Emanuel Ax:
Mozart often wrote to his family that certain variations or sections of pieces were so successful tEmanuel Ax:
It is wonderful to see how happy all my friends in the LA Philharmonic are in their new home.Emanuel Ax:
If there were no rules about when to applaud, we in the audience would have the right response almoEmanuel Ax:
If the audience walks out of a concert thinking, What a wonderful experience, then we have done ourEmanuel Ax:
I usually only play with very close friends.Emanuel Ax:
I have been trying to find out exactly when listeners and performers decided that applause betweenEmanuel Ax:
I have been coming to Los Angeles since 1975 to perform.