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The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
The welfare culture tells the man he is not a necessary part of the family; he feels dispensable, h
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Chuck Mangione:
A studio recording is perfection, but emotion and passion come only when you turn on the machine anChuck Mangione:
Brazilian music has many of the ingredients that I strive for in my own music: Strong melodies andChuck Mangione:
I am glad that I wrote something that brought joy to millions of people.Chuck Mangione:
I can count on one hand the number of instrumental hits there have been over the last ten years.Chuck Mangione:
I have been recording for five decades now.Chuck Mangione:
I made many studio albums and I think the danger of studio recording is that if you do not watch ouChuck Mangione:
I tend to not want to put labels or categories on the music, only because people come with preconceChuck Mangione:
I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and ChChuck Mangione:
I write music people enjoy playing and listening to, and I have a group that loves playing the musiChuck Mangione:
Most recently we've been working in concert situations rather than clubs. because there aren't too