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The work with which we embark on this first volume of a series of theological studies is a work wit
The work with which we embark on this first volume of a series of theological studies is a work wit
The work with which we embark on this first volume of a series of theological studies is a work wit
The work with which we embark on this first volume of a series of theological studies is a work wit
The work with which we embark on this first volume of a series of theological studies is a work wit
The work with which we embark on this first volume of a series of theological studies is a work wit
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Hans Urs von Balthasar:
Thus it is necessary to commence from an inescapable duality: the finite is not the infinite.Hans Urs von Balthasar:
To be sure, the response of faith to revelation, which God grants to the creature he chooses and moHans Urs von Balthasar:
We no longer dare to believe in beauty and we make of it a mere appearance in order the more easilyHans Urs von Balthasar:
Whoever removes the Cross and its interpretation by the New Testament from the center, in order toHans Urs von Balthasar:
Without a doubt, at the center of the New Testament there stands the Cross, which receives its inteHans Zimmer:
If something happened where I couldn't write music anymore, it would kill me. It's not just a job.Hans Zimmer:
The writing gets done away from the keyboard and away from the studio in my head, in solitude. AndHans Zimmer:
Here's something I probably shouldn't be saying: I never listen to my soundtrack albums because I cHans Zimmer:
You have to realize I like doing big movies that appear on a big screen. So the visuals and the audHans Zimmer:
When movies first came out, maybe they were in black and white and there wasn't any sound and peopl