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There was a village watercolour society and they'd come and paint in my field. I watched them from
There was a village watercolour society and they'd come and paint in my field. I watched them from
There was a village watercolour society and they'd come and paint in my field. I watched them from
There was a village watercolour society and they'd come and paint in my field. I watched them from
There was a village watercolour society and they'd come and paint in my field. I watched them from
There was a village watercolour society and they'd come and paint in my field. I watched them from
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Nicolas Roeg:
They think something's gone wrong, but in Don't Look Now, for instance, one scene was made by a misNicolas Roeg:
Years ago I had a house in Sussex, it was like Arcadia, with an old Victorian bridge, a pond and thNicolas Roeg:
You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huNicolas Roeg:
I imagine if aliens came down to Earth, they'd actually be quite tall; people seem to get everythinNicolas Roeg:
I've always admired the tradition of storytellers who sat in the public market and told their storiNicolas Roeg:
There's no one 'right' way of making a science fiction movie; there's no one way of making any kindNicolas Roeg:
Oh, some of my films have been attacked with absolute vitriol!Nicolas Roeg:
I was always a bit arty-farty as a boy. 'Come on, Mr. Arty-Farty,' my sister used to say to me.Nicolas Roeg:
I came up the old-fashioned way - tea boy, cutter, focus-puller, cinematographer - but I wasn't mysNicolas Roeg:
Film remains completely mystical and mysterious to me.