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There's a special joy you get having a show on the air that people are interested in and wanting to
There's a special joy you get having a show on the air that people are interested in and wanting to
There's a special joy you get having a show on the air that people are interested in and wanting to
There's a special joy you get having a show on the air that people are interested in and wanting to
There's a special joy you get having a show on the air that people are interested in and wanting to
There's a special joy you get having a show on the air that people are interested in and wanting to
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Ronald D. Moore:
I'm an agnostic in the truest sense of the word. I think about these things - I grew up Roman CathoRonald D. Moore:
I'm just smart enough to know what it is I don't know and try to learn as I go along and accept thaRonald D. Moore:
In television, there's this weird sense of isolation from your audience; you kind of get this feeliRonald D. Moore:
The danger of serialization is that you almost get into a monotone - where they all have the same bRonald D. Moore:
Sometimes you just have to be willing to delegate and not feel like you're the only one with the anRonald D. Moore:
I guess, at the beginning of any project, I always have the same hope, which is that it's going toRonald D. Moore:
'Battletar' took a while to kinda permeate out into pop culture generally. It hit first with the scRonald D. Moore:
With 'Outlander,' definitely the book fans were at the door, ready to go, as soon as we started. BuRonald D. Moore:
Essentially, you know, one of the great advantages of working in science fiction is it does give yoRonald D. Moore:
I think I started watching 'Trek' in the mid-'70s when I was in elementary school, and I was just i