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To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romanti
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Doug Liman:
A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kinDoug Liman:
I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end uDoug Liman:
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The beating heart of your story... that's not what shows up in a trailer. The other stuff is what sDoug Liman:
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I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoingDoug Liman:
I make movies for me and posterity. I'm more scared of history than I am of the studio.Doug Liman:
It turns out that it's easier to do politics in a movie. People really don't want it in their TV.Doug Liman:
What I really found was that the one similarity between 'Covert Affairs' and 'Fair Game' is a deepDoug Liman:
When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a