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To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
To have a second movie that you're proud of and that actually turned out the way you wanted, shot b
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J. C. Chandor:
When I have people around, I'm a chatterbox. But when I'm alone, I never speak. I don't talk to mysJ. C. Chandor:
I had decent but not great grades in high school because I was highly motivated in some subjects, lJ. C. Chandor:
I consider myself somewhat spiritual, but not practicing.J. C. Chandor:
As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative andJ. C. Chandor:
That's what film can do in a way that TV and other long-form storytelling can't. It gives you thisJ. C. Chandor:
I wrote 'All is Lost' while editing 'Margin Call'. I did that long before I knew if I was ever goinJ. C. Chandor:
Just making a movie the way 'All is Lost' had to be made was a great experience, because it was strJ. C. Chandor:
When I'm writing a movie, it's usually pretty close to what the movie is going to be, which is justJ. C. Chandor:
The original Spencer Tracy version of 'The Old Man and the Sea' was always terribly flawed becauseJ. C. Chandor:
I think my films kind of walk this line that I'm proud of, that they feel sort of like films of my