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To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
To have a sense of contemporary ownership of Shakespeare is the most important thing to his work.
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Tim Crouch:
Anything one can do to provoke and inspire an interest in the works of Shakespeare in a young audieTim Crouch:
Unease is not an emotion I get often in the theatre, and I like it.Tim Crouch:
I'm excited about the idea of an act of theatre triggering a parallel creative act of writing.Tim Crouch:
As actors, we do our best to keep things light and to encourage in the audience an openness to theTim Crouch:
'The Author' is subtly unflinching in its satirical attack on certain practices in the creation ofTim Crouch:
Theatre critics have no special access to the truth. And there should be no objective truth to art.Tim Crouch:
Keeping young people away from Shakespeare is like removing a link to their humanness.Tim Crouch:
A child knows when they are on the receiving end of a didactic exercise, or when they are sitting iTim Crouch:
Each of my Shakespeare pieces is different to the other, but each espouses a set of philosophies coTim Crouch:
It's important to find characters that share sympathy with a young audience, not just in the story