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To understand Mozart's contradictory qualities would indeed be to understand genius.
To understand Mozart's contradictory qualities would indeed be to understand genius.
To understand Mozart's contradictory qualities would indeed be to understand genius.
To understand Mozart's contradictory qualities would indeed be to understand genius.
To understand Mozart's contradictory qualities would indeed be to understand genius.
To understand Mozart's contradictory qualities would indeed be to understand genius.
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Lukas Foss:
To me, Mozart is our Shakespeare, the one who wrote the most dramatic, psychologically most bafflinLukas Foss:
To come to grips with creativity, I must ask creative, adventurous questions - the kind which, in aLukas Foss:
There is another interesting paradox here: by immersing ourselves in what we love, we find ourselveLukas Foss:
The fact that Stravinsky used the classics as a major influence is obvious. What is interesting isLukas Foss:
The creative act is like writing a letter. A letter is a project; you don't sit down to write a letLukas Foss:
The best way to investigate the elusive phenomenon called the creative process may well be to targeLukas Foss:
That is why the analogy of stealing does not work. With a thief, we want to know how much money heLukas Foss:
Since age seven, I've been composing and have never stopped composing, yet, the creative process isLukas Foss:
Personality is essential. It is in every work of art. When someone walks on stage for a performanceLukas Foss:
My students frequently ask what their next project should be. My advice: immerse yourself in the mu