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Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
Trickster stories are pleasurable, contradictory, annoying, abrasive. They're powerful, transformat
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Gerald Vizenor:
The idea of victimage is a dreadful thing, a product of a safe middle-class perspective. What peoplGerald Vizenor:
Naanabozho was the first tribal trickster on the earth.Gerald Vizenor:
There is a sense of motion and a concise, immediate image in haikus and Anishinaabe dream songs.Gerald Vizenor:
Even the earliest cave paintings in France and Spain had natural motion.Gerald Vizenor:
It's so difficult to write in motion and get rid of the past tense, and also to create a sense of iGerald Vizenor:
I use not casual phrases but imagistic phrases that create a rhythm of natural presence.Gerald Vizenor:
W. P. Kinsella, who was born on a farm near Edmunton, Alberta, has earned wide recognition for hisGerald Vizenor:
There are 13 stories in 'The Fencepost Chronicles' about corrupt tribal leaders, trouble on the resGerald Vizenor:
Confucius would give his seat to an old woman. Communist cadres, on the other hand, took the best sGerald Vizenor:
If you desecrate a white grave, you wind up sitting in prison. But desecrate an Indian grave, and y