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Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
Virtual reality started for me in sort of an unusual place. It was the 1970s. I got into the field
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Chris Milk:
I didn't want to be a storyteller when I grew up; I wanted to be stuntman.Chris Milk:
Film is this incredible medium that allows us to feel empathy for people that are very different thChris Milk:
It connects humans to other humans in a profound way that I've never seen before in any other formChris Milk:
We build camera rigs tailored specifically to the story we're trying to tell or the shot we're tryiChris Milk:
For a long time, I believed that a great piece of music on its own could do more to stir the soul tChris Milk:
In virtual reality, we're placing the viewer inside a moment or a story... made possible by sound aChris Milk:
Virtual reality is the 'ultimate empathy machine.' These experiences are more than documentaries. TChris Milk:
I want to figure out what comes after cinema as the gold standard for storytelling.Chris Milk:
I was born into a world in which the most compelling stories are through film. But that wasn't alwaChris Milk:
If you've never mixed paint, you aren't going to be able to paint properly.