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We had common interests in the beauty of the French language. We both had a tremendous love of jazz
We had common interests in the beauty of the French language. We both had a tremendous love of jazz
We had common interests in the beauty of the French language. We both had a tremendous love of jazz
We had common interests in the beauty of the French language. We both had a tremendous love of jazz
We had common interests in the beauty of the French language. We both had a tremendous love of jazz
We had common interests in the beauty of the French language. We both had a tremendous love of jazz
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David Amram:
Even before he had one book published, Jack was one of those people you could feel was very specialDavid Amram:
The atmosphere was wide open in those circles that we traveled in.David Amram:
In a jazz atmosphere, the audience members were so quiet and respectful of the musicians that you fDavid Amram:
Esquire, in a July, 1957 issue, has a photograph of me playing the French horn at the Five Spot.David Amram:
The Upper Bohemia people wore tuxedos in an art gallery, and Lower Bohemia was all of us.David Amram:
We met with the poet Frank O'Hara, who was a link between Upper and Lower Bohemia, and who worked aDavid Amram:
When you are accompanying someone, you are listening to them the way you listen to a Bach Chorale,David Amram:
In jazz, you listen to what the bass player is doing and what the drummer is doing, what the pianisDavid Amram:
In symphonic music, when you are conducting, you do the same thing. You are feeling the whole orcheDavid Amram:
That is what I did with Jack, and that's why he liked to do the readings with me because he knew I