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We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'
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Wangechi Mutu:
My work is often a therapy for myself - a working out of these issues as a black woman. And a way oWangechi Mutu:
The medium of film is really wonderful because it can behave in the same way as collage and paintinWangechi Mutu:
I watched a lot of avant-garde films, like Maya Deren's work, and I love film's technical ability tWangechi Mutu:
I've always been curious about the things that I'm afraid to look at, that make me embarrassed or bWangechi Mutu:
I've always loved the idea that you think you know what you're looking at from a distance, yet whenWangechi Mutu:
I juxtapose and slice up reality and fiction quite easily. I'm aware that it is up for grabs and aWangechi Mutu:
I'm very much a person that believes that there's something that was introduced into Kenya and AfriWangechi Mutu:
Being taught to despise your body is being taught to perhaps admire someone else's body more than yWangechi Mutu:
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessiveWangechi Mutu:
Often, there's an emphasis in my work, and it's sort of the celebrating of the body.