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We musicians often get inspiration from films and books or photographs, not only by music.
We musicians often get inspiration from films and books or photographs, not only by music.
We musicians often get inspiration from films and books or photographs, not only by music.
We musicians often get inspiration from films and books or photographs, not only by music.
We musicians often get inspiration from films and books or photographs, not only by music.
We musicians often get inspiration from films and books or photographs, not only by music.
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Ryuichi Sakamoto:
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians arRyuichi Sakamoto:
Each time I work on a film, I say to myself, 'This is it. This is the end.' Because it is so stressRyuichi Sakamoto:
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspiRyuichi Sakamoto:
Ever since I was 18 or 19, I've wanted to question the sound, tones, and scale associated with theRyuichi Sakamoto:
I've realised that if it is to remain relevant, contemporary music needs to change.Ryuichi Sakamoto:
Looking back at my early career, I had a positive view of technology and its potential. It was a haRyuichi Sakamoto:
I wanted to hear sounds of everyday objects - even musical instruments - as things.Ryuichi Sakamoto:
I went to see one of those pianos drowned in tsunami water near Fukushima and recorded it. Of coursRyuichi Sakamoto:
I'm trying to relax, but it's hard.Ryuichi Sakamoto:
I have been a long time fan of Jean-Luc Godard. It's my dream to work with him.