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We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
We wanted to protect the legacy of DC Comics here in New York, and there are many things that make
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Diane Nelson:
We think we've got great stories and characters that will lend themselves to great standalone experDiane Nelson:
There is a healthy competition as there would be in any business. But we do not spend our days thinDiane Nelson:
I've had the luxury of working on a lot of our great brands here at Warner Brothers, including a loDiane Nelson:
I don't presume to describe myself as a creator anymore, but I certainly love the process, and I hoDiane Nelson:
I will say that Vertigo is an area of great interest to me. It is even less well tapped than otherDiane Nelson:
I'm not looking to stick my nose into an area where I'm not needed.Diane Nelson:
Cross platform, we have opportunity across all our businesses to not only take the most well-knownDiane Nelson:
There are no easy answers for the balance of how you protect the core business of the books with whDiane Nelson:
I always joke that they're all like my children, so I love them all, but I would be lying if I didnDiane Nelson:
The DC Universe animated made-for-videos are a great, specific opportunity to offer fans something