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Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
Well, Detroit Institute is kind of a key - probably the largest permanent collection of puppets in
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Jim Henson:
No, there's not much competition between puppeteers in general because everybody's working their owJim Henson:
I've never felt any sense of competition with anybody, and we're all friends; we're all good friendJim Henson:
I do remember doing shows strictly in black and white, too, so you're right.Jim Henson:
NBC was trying to convert all of their local programming to color right away to encourage the saleJim Henson:
If anything, there's a difference in working with color in England and the color in the US.Jim Henson:
It has always been difficult to get Big Bird to be very pretty. Big Bird in England is much more goJim Henson:
We thought it would be fun to try to design a show that would work well internationally and so thatJim Henson:
Actually the copies of characters is something I don't particularly like to talk about in articlesJim Henson:
Somebody like a Piggy or a Kermit, there needs to be several versions and so there will be severalCharles Horton Cooley:
An artist cannot fail; it is a success to be one.