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Well, in Bradford I could say I was brought up in Bradford and Hollywood.
Well, in Bradford I could say I was brought up in Bradford and Hollywood.
Well, in Bradford I could say I was brought up in Bradford and Hollywood.
Well, in Bradford I could say I was brought up in Bradford and Hollywood.
Well, in Bradford I could say I was brought up in Bradford and Hollywood.
Well, in Bradford I could say I was brought up in Bradford and Hollywood.
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David Hockney:
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriDavid Hockney:
What I didn't know was I was deeply attracted to the big space.David Hockney:
I'm a bit claustrophobic, I know that now.David Hockney:
But slowly I began to use cameras and then think about what it was that was going on. It took me aDavid Hockney:
But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you hDavid Hockney:
I made a photograph of a garden in Kyoto, the Zen garden, which is a rectangle. But a photograph taDavid Hockney:
But, I would always be thinking of how pictures are constructed and colour, how to use it, I mean yDavid Hockney:
Most artists work all the time, they do actually, especially good artists, they work all the time,David Hockney:
You had to be aware that I saw that photography was a mere episode in the history of the optical prDavid Hockney:
There are enough no smoking places now.