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Well, in features, and in writing especially, it's often the style of the writer comes in.
Well, in features, and in writing especially, it's often the style of the writer comes in.
Well, in features, and in writing especially, it's often the style of the writer comes in.
Well, in features, and in writing especially, it's often the style of the writer comes in.
Well, in features, and in writing especially, it's often the style of the writer comes in.
Well, in features, and in writing especially, it's often the style of the writer comes in.
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Kurt Loder:
Well, a lead is the most important thing about the story.Kurt Loder:
Unless you're doing a feature piece, which is going to be longer, and you have more time to get intKurt Loder:
Television's very dependent on images. That's not what news is.Kurt Loder:
Television's not going read stories to you.Kurt Loder:
Some of the most important stories don't lend themselves to television treatment.Kurt Loder:
So, yeah, I think it had a major effect. I think in franchising younger people, it was just an ideaKurt Loder:
So you shouldn't really flatter yourself that they want to be your buddy. They don't. Generally. ThKurt Loder:
So no one should rely on television either for their knowledge of music or for news. There's just mKurt Loder:
Rewriting is a large part of the whole job. And get rid of stuff that's not working. Just pare it dKurt Loder:
It's not a good thing to be friends with people you're covering. There's just no point in doing it.