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Well, what I'm doing is really clothing. I'm not doing sculpture.
Well, what I'm doing is really clothing. I'm not doing sculpture.
Well, what I'm doing is really clothing. I'm not doing sculpture.
Well, what I'm doing is really clothing. I'm not doing sculpture.
Well, what I'm doing is really clothing. I'm not doing sculpture.
Well, what I'm doing is really clothing. I'm not doing sculpture.
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Issey Miyake:
We can also cut by heat - heat punch. And we also can cut by cold - extreme cold. When you cut withIssey Miyake:
To be honest, I think we should find first the possibility to make it. Research is first - if you'rIssey Miyake:
The purpose - where I start - is the idea of use. It is not recycling, it's reuse.Issey Miyake:
Of course there are many ways we can reuse something. We can dye it. We can cut it. We can change tIssey Miyake:
Many people will say, well, clothes should be worn; but I think people can look at them in public,Issey Miyake:
I very much like dance and dancers.Issey Miyake:
I started to work with cotton fabrics. I used cotton because it's easy to work with, to wash, to taIssey Miyake:
I sent 200, 300 of the clothes that I had made, and the dancers chose what they liked.Issey Miyake:
I have worked with several dance companies.Issey Miyake:
From the beginning I thought about working with the body in movement, the space between the body an