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What we learned quite early on is what was really important to early British pop that we produced-a
What we learned quite early on is what was really important to early British pop that we produced-a
What we learned quite early on is what was really important to early British pop that we produced-a
What we learned quite early on is what was really important to early British pop that we produced-a
What we learned quite early on is what was really important to early British pop that we produced-a
What we learned quite early on is what was really important to early British pop that we produced-a
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Pete Townshend:
What theatre started to look at much earlier than any other form was the internal operations of ordPete Townshend:
Early British pop was helped tremendously by the writing of Bob Dylan who had proved you could writPete Townshend:
But what was interesting about what the Who did is that we took things which were happening in thePete Townshend:
Bob Dylan did the first really long record - Like A Rolling Stone - I think it was four minutes.Pete Townshend:
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, veryPete Townshend:
I just could not believe that 30 years later we're still looking at people who are supposed to writPete Townshend:
What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringinPete Townshend:
The problem for me, still today, is that I write purely with one dramatic structure and that is thePete Townshend:
I'm only interested in rites of passage stories.Pete Townshend:
I only really started to go to plays and to be interested in drama 20 years ago when as an artist I