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Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field
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Douglas Kirkland:
When you put an individual on the cover of a big picture magazine, like 'Life of Look', their careeDouglas Kirkland:
I did photograph Angelina Jolie up in Vancouver when she was making 'Life Or Something Like It', anDouglas Kirkland:
It's fundamental to succeed in coming into contact with your subject. Whether it's a big HollywoodDouglas Kirkland:
Respect and mutual respect are important. I, for instance, often show my latest work so that peopleDouglas Kirkland:
I like to talk to people and, obviously, to photograph them.Douglas Kirkland:
I believe Photoshop is in some way the contemporary darkroom, the creative area that all photographDouglas Kirkland:
I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everDouglas Kirkland:
I always considered, with every shoot, I was on trial; every time I pick up my camera and start outDouglas Kirkland:
I'll photograph weddings, friends - I'm not too good for anything.Douglas Kirkland:
I consider myself very lucky. I'm known for photographing celebrities, but, in a nutshell, my first