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When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
When I lived in China, my works were already being banned, and I couldn't publish. In those days, w
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Gao Xingjian:
When I completed writing 'Soul Mountain,' I more or less closed the accounts with China for myself.Gao Xingjian:
When I first heard that I had won the prize, I thought that it was something for myself, that it waGao Xingjian:
The destruction of Chinese traditional culture didn't start in 1949. It started long before that, wGao Xingjian:
Various political parties, even if they're in direct opposition with one another, still say they arGao Xingjian:
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Literature hasn't come up with any new themes. The literature of all different times - it's still dGao Xingjian:
Many intellectuals feel themselves to be Supermen who are spokesmen for the people. But in my opiniGao Xingjian:
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Since childhood, I'd dreamed of making a film, but producers in France and Germany wanted to make c