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When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
When I was younger, I'd make a point of driving to the middle of nowhere and spending an evening wi
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Christopher Young:
As a kid, I had a Beatles poster and a Bela Lugosi as Dracula poster, so both worlds always appealeChristopher Young:
In horror movies, you can write music that if it was performed on the concert stage would have theChristopher Young:
People who work in horror know they are contributing to a genre that has always been loved and willChristopher Young:
'Sinister' is the first score I've done in which there's no orchestra in it whatsoever. There are tChristopher Young:
I don't care how inventive you are; once you introduce strings into the ensemble for a horror film,Christopher Young:
'Psycho' is probably the best known example of a horror film whose exclusive sound was strings, andChristopher Young:
Usually when I am approached to do a score for a horror movie, it's to attempt a repeat performanceChristopher Young:
Writing in the electronic world, you imagine a sound, and then you have to go and find it. It's notChristopher Young:
Horror films are the ones that pay the bills, and historically, they have shown that they are goodChristopher Young:
Film composers are the most prolific music makers on this planet, and most of us are, like, losing