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When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
When you look at the early-'30s movies, like King Kong, the codes of acting are very similar to tho
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Michel Hazanavicius:
I think being a foreigner and talking about Hollywood allowed me to use some cliches and some referMichel Hazanavicius:
But I don't think of myself as a foreigner or a Frenchman! I just think of myself as a director. WhMichel Hazanavicius:
Hollywood is much more than America. Hollywood belongs to all of the planet.Michel Hazanavicius:
Sure, I watched a lot of Hollywood movies. Maybe I've seen more Hollywood movies than French moviesMichel Hazanavicius:
This is the problem with language, and this is what makes silent movies fun, because the connectionMichel Hazanavicius:
Sometimes when an actor says something almost perfect, but you know you have to edit it, if you telMichel Hazanavicius:
When you're with your wife, you don't say I love you to your wife every day but the ways you look aMichel Hazanavicius:
I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang, Tod BrMichel Hazanavicius:
When you do not have the dialogue to explain things, you will use everything to show and to tell thMichel Hazanavicius:
I try to respect the rules of the silent movies and I tried to make signification to make sense, an