When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'ideal' performance. Things that felt great in previews can feel forced three months in; jokes that got big laughs in the rehearsal room may suddenly fall flat in front of a paying audience.

Andrew Keenan-Bolger
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When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
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When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
When you're reinterpreting the same material eight shows a week, it's impossible to lock in the 'id
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