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When you're working in front of an audience, you have incentive to excel.
When you're working in front of an audience, you have incentive to excel.
When you're working in front of an audience, you have incentive to excel.
When you're working in front of an audience, you have incentive to excel.
When you're working in front of an audience, you have incentive to excel.
When you're working in front of an audience, you have incentive to excel.
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Dave Van Ronk:
They basically said that if I didn't show up for school they'd mark me present, they wouldn't sendDave Van Ronk:
There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians werenDave Van Ronk:
One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seveDave Van Ronk:
My uncle and my grandfather both worked in the Brooklyn Navy Yard.Dave Van Ronk:
Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop andDave Van Ronk:
In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acousticDave Van Ronk:
If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, andDave Van Ronk:
If you asked anybody in my family, they would have very stridently proclaimed themselves middle claDave Van Ronk:
If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen wasDave Van Ronk:
If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not