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Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
Why are all the artists so dead-set on distorting? It seems to be a reaction against photography, b
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Marcel Duchamp:
I am against the word 'anti' because it's a little bit like 'atheist,' as compared to 'believer.' AMarcel Duchamp:
From a purely ethnological point of view, I was not a period-born Dada.Marcel Duchamp:
Dada was an extreme protest against the physical side of painting. It was a metaphysical attitude.Marcel Duchamp:
One does not contemplate it like a picture. The idea of contemplation disappears completely. SimplyMarcel Duchamp:
One must pass through the network of influence. One is obligated to be influenced, and one acceptsMarcel Duchamp:
When the vision of the 'Nude' flashed upon me, I knew that it would break forever the enslaving chaMarcel Duchamp:
For me, the 'Three Stoppages' was a first gesture liberating me from the past.Marcel Duchamp:
I never finished the 'Large Glass' because, after working on it for eight years, I probably got intMarcel Duchamp:
Tradition is the great misleader because it's too easy to follow what has already been done - evenMarcel Duchamp:
I was never interested in looking at myself in an aesthetic mirror. My intention was always to get