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You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink t
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Peter Maxwell Davies:
I recently did a piece for the Boston Pops and John Williams, and I hope that it's as well a composPeter Maxwell Davies:
The demands are related to their questing of the best possible out of the people concerned. It's thPeter Maxwell Davies:
You don't underestimate either players or audience in any circumstances.Peter Maxwell Davies:
What they can expect always is that they're going to be made to think.Peter Maxwell Davies:
I don't see how they can with most of my pieces, but I think it's unfortunate that they can throughPeter Maxwell Davies:
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing aPeter Maxwell Davies:
But you can't really know your audiences so well.Peter Maxwell Davies:
I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral andPeter Maxwell Davies:
I know what I want at least, and the older I get I think I'm better at getting it out of players anPeter Maxwell Davies:
But when you get a bit older, and I hate to use the word, quite a bit more established, people take