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You have to find some way of engaging with the world around you, however it's constituted. The enga
You have to find some way of engaging with the world around you, however it's constituted. The enga
You have to find some way of engaging with the world around you, however it's constituted. The enga
You have to find some way of engaging with the world around you, however it's constituted. The enga
You have to find some way of engaging with the world around you, however it's constituted. The enga
You have to find some way of engaging with the world around you, however it's constituted. The enga
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Alexandra Kleeman:
A lot of the surreal writing that I love is really dreamlike. Like Murakami. He uses the real worldAlexandra Kleeman:
'I' is the word everyone uses to refer to themselves. On the one hand, it points to a specific persAlexandra Kleeman:
Remembering who I am is a really active task for me. And I often have to tell myself, 'You're a graAlexandra Kleeman:
We talk about characters in literature as though they were built on the model of the real person, bAlexandra Kleeman:
I'm really interested in passivity as a type of action - sort of allowing the situation to change yAlexandra Kleeman:
I don't really buy the death-drive thing too literally; it feels overly neat and convenient. But IAlexandra Kleeman:
When you seek out - or seek to avoid - your own reflection, the modern city becomes a hall of mirroAlexandra Kleeman:
I think of workshopping as a way to read your own work through the eyes of others - a scene that yoLeila Lopes:
I work with poor kids. I work in the fight against HIV.Leila Lopes:
Thank God I'm very satisfied with the way God created me, and I wouldn't change a thing.