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You have to open the music, so to speak, and see what's behind the notes because the notes are the
You have to open the music, so to speak, and see what's behind the notes because the notes are the
You have to open the music, so to speak, and see what's behind the notes because the notes are the
You have to open the music, so to speak, and see what's behind the notes because the notes are the
You have to open the music, so to speak, and see what's behind the notes because the notes are the
You have to open the music, so to speak, and see what's behind the notes because the notes are the
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Vladimir Horowitz:
Behind the notes, something different is told, and that's what the interpreter must find out. He maVladimir Horowitz:
It is important for the musician to learn as much about the composer as possible and to study the mVladimir Horowitz:
The most important thing is to make a percussive instrument a singing instrument. Teachers should sVladimir Horowitz:
To be able to produce many varieties of sound, now that is what I call technique, and that is whatVladimir Horowitz:
Imitation is a caricature. Any imitation. Find out for yourself.Vladimir Horowitz:
I may play the same program from one recital to the next, but I will play it differently, and becauVladimir Horowitz:
I tried playing for the public, and I selected music that I thought would be pleasing to them. TimeVladimir Horowitz:
Life is very busy now. I find that in today's cities, the public is very tired after working the whVladimir Horowitz:
As far as practicing is concerned, I usually try to do one to two hours a day. It isn't good to praVladimir Horowitz:
Without false modesty, I feel that, when I'm on the stage, I'm the king, the boss of the situation.