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You've only got to look at a film to see that it has to be collaborative - the images, the performa
You've only got to look at a film to see that it has to be collaborative - the images, the performa
You've only got to look at a film to see that it has to be collaborative - the images, the performa
You've only got to look at a film to see that it has to be collaborative - the images, the performa
You've only got to look at a film to see that it has to be collaborative - the images, the performa
You've only got to look at a film to see that it has to be collaborative - the images, the performa
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Ken Loach:
The job of the director is to make certain that the film has one voice and a sense of a single visiKen Loach:
The E.U. is an economically right-wing organization that prioritizes the interests of big corporatiKen Loach:
I think that cinema is medium of communication. It's as valid as novels or fine art.Ken Loach:
In the 1980s, I had a lot of films, documentaries for television, which were about why the trade unKen Loach:
The problem is, if you make a film that has certain implications in the story, and then you don't fKen Loach:
I was stage-struck from an early age. I just loved the language. We lived quite near Stratford so IKen Loach:
It's what people have always done. They have always told stories, put on plays. It's characters andKen Loach:
A film has got to demand to be made. Otherwise - if it's just, 'Shall we? Why not?' - you shouldn'tKen Loach:
Anti-Semitism is a form of racism, and all forms of racism are horrible.Ken Loach:
I was an understudy in a show called 'One Over The Eight' with Kenneth Williams and Sheila Hancock.