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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go
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Baltasar Kormakur:
I really wanted to make 'Everest' visceral, real. One thing that amazed me when I was scouting in bBaltasar Kormakur:
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I want to work with directors who can tell intimate stories in a way that feels universal and withBaltasar Kormakur:
I developed 'Trapped' because I was fascinated with the idea of a terrible crime in a small town cuBaltasar Kormakur:
Vikings were pretty brutal, but also very educated people. They were salesmen, businessmen who starBaltasar Kormakur:
I started as an actor, then became a theater director. I loved acting but didn't feel as confidentBaltasar Kormakur:
I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It'sBaltasar Kormakur:
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you wantBaltasar Kormakur:
I'm the first Icelandic director who started working on U.S. movies. There are others behind me nowBaltasar Kormakur:
When I made '101 Reykjavik,' people talked about 'Almodovar on ice.' When I made 'The Sea,' people