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Abandoning the project was incredibly stressful after having gone through the process of building t
Abandoning the project was incredibly stressful after having gone through the process of building t
Abandoning the project was incredibly stressful after having gone through the process of building t
Abandoning the project was incredibly stressful after having gone through the process of building t
Abandoning the project was incredibly stressful after having gone through the process of building t
Abandoning the project was incredibly stressful after having gone through the process of building t
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Andy Goldsworthy:
Stones are checked every so often to see if any have split or at worst exploded. An explosion can lAndy Goldsworthy:
Three or four stones in one firing will all react differently. I try to achieve a balance between tAndy Goldsworthy:
Once the fired stone is out of the kiln, it is still possible to mentally reconstruct it in its oriAndy Goldsworthy:
It's frightening and unnerving to watch a stone melt.Andy Goldsworthy:
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath theAndy Goldsworthy:
A stone is ingrained with geological and historical memories.Andy Goldsworthy:
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flameAndy Goldsworthy:
Snow provokes responses that reach right back to childhood.Andy Goldsworthy:
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for fAndy Goldsworthy:
Occasionally I have come across a last patch of snow on top of a mountain in late May or June. Ther