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Because the more you write the more you're aware of the weight of your tradition and the difficulti
Because the more you write the more you're aware of the weight of your tradition and the difficulti
Because the more you write the more you're aware of the weight of your tradition and the difficulti
Because the more you write the more you're aware of the weight of your tradition and the difficulti
Because the more you write the more you're aware of the weight of your tradition and the difficulti
Because the more you write the more you're aware of the weight of your tradition and the difficulti
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Tobias Wolff:
There are writers who do start doing the same thing again and again and almost inevitably fall intoTobias Wolff:
But a lot of writers - and I'm one of them - do tend to feel dissatisfied. It makes you a little haTobias Wolff:
And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doinTobias Wolff:
Work for most people is really very social, and the actual thinking is often done in community.Tobias Wolff:
Of course it's why you want to become a writer - because you have the liberty to do that, but onceTobias Wolff:
It's probably why I'm a short story writer. I tend to remember things in the past in narrative formTobias Wolff:
Most of us don't live lives that lend themselves to novelistic expression, because our lives are soTobias Wolff:
Perhaps that is why the novel flourished in England. You had these communities that would stay putTobias Wolff:
The short story, on the other hand, is the perfect American form.Tobias Wolff:
But as my brother was doing his research for a book about my father, it became his opinion that the