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But I think you have to - whatever the environment looks like, it does enter into people's art work
But I think you have to - whatever the environment looks like, it does enter into people's art work
But I think you have to - whatever the environment looks like, it does enter into people's art work
But I think you have to - whatever the environment looks like, it does enter into people's art work
But I think you have to - whatever the environment looks like, it does enter into people's art work
But I think you have to - whatever the environment looks like, it does enter into people's art work
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Donald Judd:
I don't think geometric art is... I don't like to call it that. I don't think it's any more pure thDonald Judd:
I haven't sufficient interest in objects or anything I can see around me to do what Oldenburg does.Donald Judd:
I pay a lot of attention to how things are done and the whole activity of building something is intDonald Judd:
I recognize very much in Hopper that it does look like the United States; it looks like the 30's anDonald Judd:
I think most of the art now is involved with a denial of any kind of absolute morality, or generalDonald Judd:
I think most of the best new work is intended to have much more impact at once.Donald Judd:
I think some of the things I deal with Hopper probably has dealt with also, since it's somewhat theDonald Judd:
Pollock looks unusual and radical even now.Donald Judd:
Stuart Davis has more to do with what the United States is like than Hopper.Donald Judd:
The older painting - well, it does have an effect all at once, I suppose, but it's of a lesser inte