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Do something, do something to that, and then do something to that.
Do something, do something to that, and then do something to that.
Do something, do something to that, and then do something to that.
Do something, do something to that, and then do something to that.
Do something, do something to that, and then do something to that.
Do something, do something to that, and then do something to that.
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Jasper Johns:
I have no ideas about what the paintings imply about the world. I don't think that's a painter's buJasper Johns:
I never wish for critics.Jasper Johns:
I often find that having an idea in my head prevents me from doing something else. Working is thereJasper Johns:
I think a painting should include more experience than simply intended statement.Jasper Johns:
In the place where I was a child, there were no artists and there was no art, so I really didn't knJasper Johns:
Intention involves such a small fragment of our consciousness and of our mind and of our life.Jasper Johns:
Most of the power of painting comes through the manipulation of space... but I don't understand thaJasper Johns:
One likes to think that one anticipates changes in the spaces we inhabit, and our ideas about spaceJasper Johns:
One works without thinking how to work.Jasper Johns:
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situa