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I do actually have a connection with James Herriot because we went to school in the same area. I we
I do actually have a connection with James Herriot because we went to school in the same area. I we
I do actually have a connection with James Herriot because we went to school in the same area. I we
I do actually have a connection with James Herriot because we went to school in the same area. I we
I do actually have a connection with James Herriot because we went to school in the same area. I we
I do actually have a connection with James Herriot because we went to school in the same area. I we
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I. M. Pei:
It is good to learn from the ancients. I'm a bit of an ancient myself. They had a lot of time to thI. M. Pei:
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of courI. M. Pei:
Modern architecture needed to be part of an evolutionary, not a revolutionary, process.I. M. Pei:
The first decent building I did with my own practice was a chapel in Taiwan.I. M. Pei:
Contemporary architects tend to impose modernity on something. There is a certain concern for histoI. M. Pei:
A lasting architecture has to have roots.I. M. Pei:
I arrived in the U.S.A. in 1935, to San Francisco. I got the boat from China, and I didn't even speI. M. Pei:
I think the artistic side of architecture was natural to me. My mother was an artist and a poet.I. M. Pei:
We had a lot of difficulty in getting the French to accept the pyramid. They thought we were tryingI. M. Pei:
I've never left China. My family's been there for 600 years. But my architecture is not consciously