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I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way
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Danny Elfman:
I think that there's a lot more freedom in the low budget, the independent films where, unfortunateDanny Elfman:
I think that's one of the things that has always put me in kind of an odd niche. It's that all of mDanny Elfman:
I would have to say I might do some stuff, but it's the film that's appealing. I was raised on filmDanny Elfman:
I'll just start laying out the melody exactly where I want it to fall. And then I'll go back and fiDanny Elfman:
I'll look back and I'd be better to answer that in about three months from now. Or when the movie cDanny Elfman:
I'm looking for a feel and I have to find what that feel is before I can move on from there. I'm noDanny Elfman:
I'm trying to interpret the film through the director's head, but it all comes out through me. So,Danny Elfman:
In some types of music I'm working out all the chords one bar at a time - the whole structure, becaDanny Elfman:
In Tim's films, more than most, if you miss the tone, you don't get the film.Danny Elfman:
It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it want