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I think there is something about countries and nations that is hard to define. And, in fact, that's
I think there is something about countries and nations that is hard to define. And, in fact, that's
I think there is something about countries and nations that is hard to define. And, in fact, that's
I think there is something about countries and nations that is hard to define. And, in fact, that's
I think there is something about countries and nations that is hard to define. And, in fact, that's
I think there is something about countries and nations that is hard to define. And, in fact, that's
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Wangechi Mutu:
We have to redefine what we mean when we say, 'Who are your people?' 'Where are you from?'Wangechi Mutu:
My work is often a therapy for myself - a working out of these issues as a black woman. And a way oWangechi Mutu:
The medium of film is really wonderful because it can behave in the same way as collage and paintinWangechi Mutu:
I watched a lot of avant-garde films, like Maya Deren's work, and I love film's technical ability tWangechi Mutu:
I've always been curious about the things that I'm afraid to look at, that make me embarrassed or bWangechi Mutu:
I've always loved the idea that you think you know what you're looking at from a distance, yet whenWangechi Mutu:
I juxtapose and slice up reality and fiction quite easily. I'm aware that it is up for grabs and aWangechi Mutu:
I'm very much a person that believes that there's something that was introduced into Kenya and AfriWangechi Mutu:
Being taught to despise your body is being taught to perhaps admire someone else's body more than yWangechi Mutu:
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessive