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If you aim at anything lower that is expecting your audience to be really alert and aware, then you
If you aim at anything lower that is expecting your audience to be really alert and aware, then you
If you aim at anything lower that is expecting your audience to be really alert and aware, then you
If you aim at anything lower that is expecting your audience to be really alert and aware, then you
If you aim at anything lower that is expecting your audience to be really alert and aware, then you
If you aim at anything lower that is expecting your audience to be really alert and aware, then you
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Peter Maxwell Davies:
You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink tPeter Maxwell Davies:
I recently did a piece for the Boston Pops and John Williams, and I hope that it's as well a composPeter Maxwell Davies:
The demands are related to their questing of the best possible out of the people concerned. It's thPeter Maxwell Davies:
You don't underestimate either players or audience in any circumstances.Peter Maxwell Davies:
What they can expect always is that they're going to be made to think.Peter Maxwell Davies:
I don't see how they can with most of my pieces, but I think it's unfortunate that they can throughPeter Maxwell Davies:
If you're writing a piece for the Boston Pops, the balance is towards one end. If you're writing aPeter Maxwell Davies:
But you can't really know your audiences so well.Peter Maxwell Davies:
I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral andPeter Maxwell Davies:
I know what I want at least, and the older I get I think I'm better at getting it out of players an