I'm very interested in foundational narratives.

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• Ken Liu:

  There's this long history of colonialism and the colonial gaze when applied to matters related to C

• Ken Liu:

  In every revolution, there are winners and losers. Every dystopia is a utopia for somebody else. It

• Ken Liu:

  I was not trying to write some sort of serious meditation on war and peace. 'The Grace of Kings' is

• Ken Liu:

  The Singaporean speculative tradition is different. Singapore doesn't conceive itself as the centre

• Ken Liu:

  I'm conscious of the fact that I'm sort of a bridging figure. I have my Chinese literary heritage a

• Ken Liu:

  It's okay if you get rejected 20, 30 or 200 times... You don't need everyone to like your story - y

• Ken Liu:

  If I end up having a novel that sells really well and that allows me to pay for health insurance an

• Ken Liu:

  Translation is an act of recreation.

• Ken Liu:

  I think the narrative of people being caught between two cultures as immigrants is very harmful. It

• Ken Liu:

  My fiction occupies, actually, the very heart of American culture: this eternal question and strugg